A Vocal Journey in Mongolia (2019)
A Vocal Journey in Mongolia (2019)
A 4 month independent Ethnomusicology based research project and learning journey exploring a variety of methodologies in the Intangible Cultural Heritage of Mongolian Overtone Throat Singing.
I am currently working through field notes and recordings collected in the Summer of 2019.
Thank you to all who supported this project
маш их баярлалаа найзууд, багш нар, хостууд
Thank you to all who supported this project
маш их баярлалаа найзууд, багш нар, хостууд
маш их баярлалаа найзууд, багш нар, хостууд
The true voice: an exploration of identity (2015)
The true voice: an exploration of identity (2015)
Submitted in partial fulfilment for MLitt in Popular Music (Creative Practice) at the University of Glasgow
This thesis examines the concept of the true voice as a method for the exploration of identity. A revised Delphi approach was used to facilitate the open discussion of this concept amongst a group of specialists from various areas of voicework and singing. The primary objective of the study was to provide a framework of understanding from which to view a holistic approach to vocal development, with particular relevance to the singing voice, as well as lay the foundations for further study in this area through presenting a range of opinions on the true voice.
The study gave definition to the concept of the true voice and revealed that it could be used as both a framework of understanding as well as an application to voicework.
Please note that in addition to the 5 Elements of Voicework Methodology; True Voice Creations makes reference to assessment and awareness tools outwith its principle field of expertise.These additional frames of reference enable clients to be appropriately referred and signposted on to additional support resources where needed.
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